The bands that have been the most important to me, and the records that have been the most important to me as a fan, have been records that surprised me for one reason or another.

I learned to cook from my mom. Most of what I ate growing up was Italian cooking.

I'm not really interested in participating in mainstream culture. Participating in the mainstream music business is, to me, like getting involved in a racket. There's no way you can get involved in a racket and not someway be filthied by it.

New York has magnificent eating available, both in restaurants and in the materials available to home cooks in the many specialty markets.

A lot of musicians are good cooks, and a lot of cooks are musicians, but I think that may just be a result of the creative impulse finding several means of expression. Probably an equivalent number are visual artists, woodworkers or compulsive liars.

I have no problem with bands using participant financing schemes like Kickstarter and such. I've said many times that I think they're part of the new way bands and their audience interact and they can be a fantastic resource, enabling bands to do things essentially in cooperation with their audience. It's pretty amazing, actually.

Over the last thirty years or so, I have definitely become more enlightened about corners of the social spectrum that I had less exposure to as a young man. I've interacted with more poor people, more minorities and more sexual minorities. As you get more people from different backgrounds involved in your life, you get a broader perspective and you're less cavalier about your opinions.