We go through, I think, six different drafts of each script. And then my shooting it is roughly, you know, fifteen percent of the total work that gets done on a show. Then it's all post-production animation after that.

Much of our trading comes down to a battle between our patience and our impulses.

If we want parents to be discerning about what children are watching then we need to put stuff in there for them to watch, too.

The best traders are simply slaves to the market's price action

I always, always liked children... I was very afraid of them before. Because I never really grew up, I mean, with a lot of little kids around. Even though I am from a kind of Italian family, I never really grew up with a lot of little kids around.

I'm not supposed to talk about the snail. The snail is, well, congratulations to whoever noticed it. It's supposed to be a thing where you gotta look for it in every episode, and it's there three times in every episode.

My fantasy for children's television is that it's not really children's television, it's everybody's television.