Whenever you do something that is in a continuous take, and something that we're not used to doing, because it was all in the details of if you don't make one move seem natural it can give away all of it.

Really interesting things come because you don't know what the rules are, what you can and can't do.

It's always fun to get to do independent film because I believe that that's the life blood of film. It's about writers and directors who truly have their own vision, and that's hard.

I have a dresser, who literally is a guy who makes sure the tie is right. It's a little bit of a process. I could probably do it by myself, but it would take me three times as long.

When I was in pre-production for Trees Lounge, I was hearing the cinematographer talking with the production designer about colours and this and that and feeling like I was losing control.

Oftentimes you'll see stuff that makes it into the mainstream that has been influenced by things that are clearly not from the mainstream.

I had a magic kit. I never really followed through on it, but I had my phase of wanting to do it, sure.