People just like to be on camera. There's a huge desire to be in front of the camera, and once there, people will say and do almost anything. It's sort of a drug, and I think people get addicted to it.

I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame.

Once I moved to Chicago and started trying to get acting jobs, I just tended to book more things that were comedically based than anything else. I never had the preconceived notion, "I will be a comedic actor." I just thought, "I'll go into acting and see what kind of work I can get."

Well, on a personal level, I would never want to take on a character who didn’t have some redeemable qualities. Even the worst of people, such as Michael Scott in The Office [Carell’s character in the US version of the Ricky Gervais sitcom], have some decent human qualities that you can latch onto.

In the United States, there is a restaurant called The Outback Steakhouse, and I could survive in there for several weeks at least, sustaining myself on bloomin' onions and, I'm sure, their legitimate and very Australian cuisine. In the real Outback? I give myself about 14 minutes.

I'm not superstitious, but I'm a little stitious.

Do I want to be feared or loved? That's a good question. I want both. I want people to be afraid of how much they love me.