Fool me once, strike one. But fool me twice ... strike three.

Fool me once, strike one. But fool me twice ... strike three.

I don't want to be pretentious about, "yes, I need to move in to the more dramatic roles and express myself and prove to everyone that I'm capable of doing it," it really isn't that, I think that's a bad reason to choose roles. It's more like, who would I be working with and would they be fun to do and entertaining to watch, is it an interesting story or character.

Relationships shouldn't be disposable. If there's something worth saving - not always the case, some relationships are irreconcilable - but if there is something that you determine is worth saving, then try to do that.

It's interesting when you're trying to create a character in animation. It's really a communal effort.

My father is Italian, and I never met my paternal grandparents. The family name was Caroselli and it was changed in the mid 50s. I think they wanted to assimilate, which was pretty common, although I love the name Caroselli.

For the better part of my adult life, I proudly avoided nerd/nimrod/goober status. I was always just cool enough.