I don't even know if I have kind of a personal, like a take or a mental manual of how I'm raising kids. It's really - I think with everybody, it's just day-to-day and you just try to deal with every situation as they come.

I'm not superstitious, but I'm a little stitious.

Anything nice that's said about me is diametrically opposed to who I am.

I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame.

I don't think of myself as funny - I don't fill up a room with my humor... I would fail miserably as a stand-up comedian.

I've always enjoyed watching characters that aren't aware that they're doing anything funny. And I think that inherently makes them funnier.

There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.