When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.

I play the baritone horn - which is like a mini tuba, and is the least sexy instrument you can choose and I generally say I don’t play one so I don’t have to acknowledge it. I also play fife.

An office is a place to... live life to the fullest. To the max. To... an office is a place where dreams come true.

I look at improvising as a prolonged game of chess. There's an opening gambit with your pawn in a complex game I have with one character, and lots of side games with other characters, and another game with myself - and in each game you make all these tiny, tiny moves that get you to the endgame.

People just like to be on camera. There's a huge desire to be in front of the camera, and once there, people will say and do almost anything. It's sort of a drug, and I think people get addicted to it.

I don't do anything to try to change people's perceptions of me. I tend to think that's sort of an ego driven thing.

Well, it might have been if I'd had success earlier in life, but having success that much later meant I was far more grounded when it came. The last few years of my life have just been surreal and after a lifetime of disappointment and heartache and rejection, I still don't believe this is all actually happening. I'm extremely grateful for my success - I just never expect it to last and my motto, if I have one, is just put your head down and do the job.