When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.

When someone is good, but it doesn't seem like their world will collapse if they don't get the part, it's more appealing. It's like dating someone: You don't want someone who's too into you.

High school – those are your prime suffering years. They don’t get better suffering than that.

An office is a place to... live life to the fullest. To the max. To... an office is a place where dreams come true.

There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.

Reading a book, watching a movie, going to a play, it's transporting, and very, very exciting. And to be a part of that, creating things with your imagination, whoa.

If I'd had a great level of success early on, who knows how I would have responded. I might have been a complete jerk.