I knew lots of Irish ladies in my life who would say daft things and then would just say something incredibly truthful in a very simple way with simple language - a few well chosen words that would take an intellectual five minutes to express. I like that.

In England, I've done a whole bunch of stuff where I just make a complete ass of myself. I've been doing it for 20 years, so I just gravitate toward it anyway. I'd rather do that than do the stuff where I'm supposed to be trying to look cool in some way. It's more interesting to me.

I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.

I am lucky to be in a profession that is not age dependent.

There is a strong ethical dimension to the best comedy. Not only does it avoid reinforcing prejudices, it actively challenges them.

I'm just attracted to playing people who are ostensible unlikable. That's not to say that there's something in there that makes you care. It might be that you just find them so awful that you just can't stop watching, like a car crash.

If you do something very successful, you will then be defined by it.