If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.

Two thousand years ago, the Holy family had a ramble from Nazareth to Bethlehem - in much the same way as I'm having a ramble from Norwich to Swaffham. Although I'm not comparing myself to Jesus - I don't want to get bogged down in that whole controversy again.

I have never wanted to be famous, as such - fame is a by-product.

All drama teachers are very effusive, very emotionally open, very big, and gesticulate a lot, and are very physical. Those people don't work in banks and they don't work for pharmaceutical companies. They teach drama, or they may be theatre directors. That's why I love people who are openly gay in theatre, because they have license to do what they like, and there's a kind of artistic liberal tolerance thing that goes on.

Even great people are always slightly disappointing, which is generally what makes them interesting.

I wasn't a naturally confident, extravert, outgoing person.

What I don't like is dance music or hip hop or any of that sort of thing.