If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.

I love people who are openly gay in theatre, because they have license to do what they like, and there's a kind of artistic liberal tolerance thing that goes on.

I think we all have a slightly gay gene inside us, don't we? It might be 0.00001 per cent as mine is, or one per cent as yours is.

I'm a single guy now and can do what I like. As my agent said, so long as it's not a live man or a dead woman, I'll be fine. And that, hand on heart, is unlikely to happen.

I want my work to be judged, not me.

I'm a huge fan of Jack Lemmon, he was someone who managed to tread that line between comedy and tragedy and sometimes give very big performances, but they were never over-demonstrative and they were never not based on a kind of real truthful human being.

I've met people who've dismissed me, and then they find out that they like my work, and suddenly their attitude changes toward me. And I think that's very funny and very human. But it's also very unattractive.