If improv gets reckless, you can feel it. A lot of shows try to do that, I find. When improv is done sloppily. It betrays the story. It can slow down the energy of the story you're telling.

I'm not honestly a real student of animation. I never was into it all that much. I don't really watch any animated shows.

If improv gets reckless, you can feel it. A lot of shows try to do that, I find. When improv is done sloppily. It betrays the story. It can slow down the energy of the story you're telling.

If I ever wanted to pick someone's brain, like Larry David would obviously be the most relevant.

If I was ever to ask advice, it could be from any actor or showrunner or writer. I wouldn't necessarily ask an animate. I don't want to say that the wrong way, but animation's not really my world.

I found a lot of animators bring a lot of baggage to the party, just that there's a certain way of doing things in that world that's a little hard to unlearn.

I was never able to analyze my own performance that way I can now. I've realized why certain actors work. I think I'm very in control of what I do in there now. I know how to listen, how to make it real and how not to go to jokes, but to go for a sense of reality.