I deal with certain things in my work because of who I am. I make work in order to make people think.

I find it difficult to breathe when l'm in the space. There seems to be no oxygen. I want to put people into a situation where they're sensitive to themselves watching the piece.

I always feel I'm an amateur. I don't most of the time know what I'm doing.

I have difficulty putting words in peoples' mouths. The best dialogue is very, very thin dialogue; you let people improvise and then basically you record what they've improvised and then write it down.

When you're racing, it's life. Anything that happens before or after is just waiting.

Acting is like racing, you need the same concentration. You have to reach inside you and bring forth a lot of broken glass. That's painful.

The best thing about making films is the time spent making them. When I see works that I've made, I always think what a great time I had making them. The films remind me of that time.