I actually have a good relationship with critics. You have to identify everything that you like and don't like that you see, and that's your job.

Believing in the project to a certain extent always makes things more affordable.

Comedy is king. It has to be.

If someone said, "Would you like to do the period drama?," I'd say, "Hell, yeah! I'd love to do that!" To dig into history and do a story in some period would be great.

I probably shouldn't do a straight drama. I'd probably ruin it. I don't know. But, I'd love the opportunity to try. I'm sure that every kind of filmmaker feels that they can do other genres of film and want to, and I feel the same way.

Big hooks have always been a part of American movie-making. So, to make a movie where you're just driving story through the characters without a high-concept is a challenge.

I'm drawn to more than I'm allowed to do or asked to do, or probably should do. My whole career has been comedy, of a kind. I guess I've always existed in that world.