If someone said, "Would you like to do the period drama?," I'd say, "Hell, yeah! I'd love to do that!" To dig into history and do a story in some period would be great.

I probably shouldn't do a straight drama. I'd probably ruin it. I don't know. But, I'd love the opportunity to try. I'm sure that every kind of filmmaker feels that they can do other genres of film and want to, and I feel the same way.

Comedy is king. It has to be.

If someone said, "Would you like to do the period drama?," I'd say, "Hell, yeah! I'd love to do that!" To dig into history and do a story in some period would be great.

Big hooks have always been a part of American movie-making. So, to make a movie where you're just driving story through the characters without a high-concept is a challenge.

Believing in the project to a certain extent always makes things more affordable.

Some references are more important than others. Like the metal stuff. Some people like Motley Crue and some people didn't listen to them at all. So that's why there's New Order and The New Replacements and David Bowie and Public Enemy.