I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.

Everyone's encouraged to put things in their own words, to discover new things. So there's definitely an element of dynamic improvisation, for sure, which I think gives those scenes some of their energy, some of their electricity.

I think that people find that's a fresh look at a relationship between two best friends, between two soul mates, that people haven't really seen in this particular way. So that's definitely something that people are noticing.

But, look; it also exists for acts that are really established. It's not always a guarantee that you're going to do something that's going to be of quality. It's not always in your control. That's sort of how the business is. Because for the moment - for the moment, we're blessed.

I just co-created a story for a Disney movie that I'm working on with my fiancée. And also about to finish up writing a T.V. pilot set in New Orleans that I'm really excited about. So I'm definitely trying to stay as busy as possible, for sure.

So the audience, at times, lets us know actually what is so special about the show that we can't even necessarily design or predict. Which is great. That's what you want art to be. You want it to be alive and to actually have a life in the way it's viewed.

To be honest with you, I don't know how even to articulate it at this point, because sometimes the real difference in the seasons perhaps will come in the way the viewership responds and the audience responds. The thing about the show is - we realign a lot about it once our audience watches it. We learn things that we can't even anticipate.