But to your point - you also raise a point, too, that it's not that, like, a bromance is necessarily a new thing. It's happened a lot in sort of big budget comedies in the past decade or so. But people have pointed out to us that we're doing a bromance, so to speak, but doing it in a different way that's even more authentic and real and sincere.

I wasn't able to articulate it until after audience members gave feedback. And then, similarly, when we talked about the bromance being unique, I don't think Mark, Jay, and I really saw how special that aspect of that bromance was until our audience members sort of gave us feedback and let us know, "Hey, we've never seen a bromance like this before on television."

I really became aware of the fact that, oh yeah, whereas a lot of other shows are sort of cynical or jaded or just sort of coming from that sort of energy, our show is very, very about these love-based relationships. It really comes out, a lot of times, in a sweet way. And I think people find that refreshing about our show. That's one of the things I definitely picked up on.

But, look; it also exists for acts that are really established. It's not always a guarantee that you're going to do something that's going to be of quality. It's not always in your control. That's sort of how the business is. Because for the moment - for the moment, we're blessed.

So even these stages of progression, whether it's your career or whatever, you get somewhere, but then it always brings a new host of issues that are relative dissatisfactions to a certain degree. I think it was a great philosopher who once said, "Mo' money, mo' problems."

I love working that way, and that's sort of the way that Mark, Jay, and I have been working for years, where we start with scripts that are really solid and well-written. But once we get into the scene and we start doing the work, we definitely loosen things up.

I mean, growing up in New Orleans when you're in seventh and eighth grade and you're into music and you're a dorky dude, you know, you listen to the entire Rush catalog and the entire Zeppelin catalog and you go through these, like, phases of classic rock. It definitely speaks to our dorkiness and the similar hometown that we grew up in, the similar sort of schooling we went through and friends we had.