I think that people find that's a fresh look at a relationship between two best friends, between two soul mates, that people haven't really seen in this particular way. So that's definitely something that people are noticing.

But, look; it also exists for acts that are really established. It's not always a guarantee that you're going to do something that's going to be of quality. It's not always in your control. That's sort of how the business is. Because for the moment - for the moment, we're blessed.

So even these stages of progression, whether it's your career or whatever, you get somewhere, but then it always brings a new host of issues that are relative dissatisfactions to a certain degree. I think it was a great philosopher who once said, "Mo' money, mo' problems."

Everyone's encouraged to put things in their own words, to discover new things. So there's definitely an element of dynamic improvisation, for sure, which I think gives those scenes some of their energy, some of their electricity.

I think that people find that's a fresh look at a relationship between two best friends, between two soul mates, that people haven't really seen in this particular way. So that's definitely something that people are noticing.

I don't think we're necessarily drawing from that specific sort of storyline, because I think we're all just super-blessed and grateful to have a show on HBO and to be working together and employed. But we are definitely speaking to things that our friends have experienced and others in our realm have experienced, for sure.

I love working that way, and that's sort of the way that Mark, Jay, and I have been working for years, where we start with scripts that are really solid and well-written. But once we get into the scene and we start doing the work, we definitely loosen things up.