The only consistent narrative we possess is one that we share with every other life-form: we are born, we live, and then we die.

A story invites both writer and reader into a kind of superficial ease: we want to slide along, pleasingly entertained, lost in the fictional dream.

He was a man who would never ask for sympathy. He was a man who sought only to do what was right. Such people appear in the world, every world, now and then, like a single refrain of some blessed song, a fragment caught on the spur of an otherwise raging cacophony. Imagine a world without such souls. Yes, it should have been harder to do.

With the Black Company series Glen Cook single-handedly changed the face of fantasy—something a lot of people didn’t notice and maybe still don’t. He brought the story down to a human level, dispensing with the cliché archetypes of princes, kings, and evil sorcerers. Reading his stuff was like reading Vietnam War fiction on peyote.

Betrayal was the greatest of all crimes, for it took all that was human within a person and made it a thing of pain. In the face of that, murder itself was surcease: it was quick, and it ended the anguish and despair of a life without hope.

I'll not deny I am impressed by your mastery of six warrens, Quick Ben. In retrospect, you should have held back on at least half of what you command." The man made to rise. "But, Bauchelain," the wizard replied, "I did.

Destiny is a lie. Destiny is justification for atrocity. It is the means by which murderers armour themselves against reprimand. It is a word intended to stand in place of ethics, denying all moral context.