I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.

I love cooking and kitchens.It's just a great world, and I wanted to explore it. You see the façade, the outside, the public part, and then you just walk through one door marked "Staff Only" and you're in a different universe.

[2015] it's a time that there's a clash of ideologies, similar to the Cold War. I think that a story like this has been waiting to be told, and I think it's a fresh look at the whole earth-shattering business of the collapse of the Soviet Union.

I've realized that the only thing I'm interested in is the performance. If the performance is right, then I'm happy. You offer up the dialogue and then the performance comes around.

It has to be an actress like Marion Cotillard [in Allied] because there are so many levels to it. It's set in the Second World War, when lots of people were doing things that, outside of a war, you wouldn't do, like killing and dropping bombs. She's doing things that one wouldn't approve of, but it's war.

You work, especially in the movie business more than in TV, but you have an environment where people feel obliged to have an input because that's what they do, and I think sometimes it can clutter things up and make things more problematic.

Suddenly, after years of television being the poor relation and film being everything, it now feels like film is a conjuring trick. It's like, "Oh, my god, how are you going to do that in 90 minutes, as opposed to eight hours?! I've got so little time to do this!" It becomes an art form, in itself. Doing both helps you do each one.