Don't cheat the world of your contribution. Give it what you've got.

Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors. All are continually asking, "What does this represent? What does it stand for?" They are trying to take everything one level deeper. When they get to that level, they will try to go deeper again.

It’s better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.

The Gnostics believed that exile was the essential condition of man. Do you agree? I do. The artist and the addict both wrestle with this experience of exile. They share an acute, even excruciating sensitivity to the state of separation and isolation, and both actively seek a way to overcome it, to transcend it, or at least to make the pain go away. What is the pain of being human? It's the condition of being suspended between two worlds and being unable to fully enter into either.

When we are succeeding - that is, when we have begun to overcome our self-doubt and self-sabotage, when we are advancing in our craft and evolving to a higher level - that's when panic strikes. When we experience panic, it means that we're about to cross a threshold. We're poised on the doorstep of a higher plane.

Late at night have you experienced a vision of the person you might become, the work you could accomplish, the realized being you were meant to be? Are you a writer who doesn't write, a painter who doesn't paint, an entrepreneur who never starts a venture? Then you know what Resistance is.

The last element in drama is high stakes. War, of course, is life and death - survival, not only for the story's characters, but often for the society itself. That's why I'm drawn to stories that are built around wars, even if they're not technically "war stories."