Steven Pressfield Quotes

It can pay off, being a hack. Given the depraved state of American culture, a slick dude can make millions being a hack. But even if you succeed, you lose, because you’ve sold out your Muse, and your Muse is you, the best part of yourself, where your finest and only true work comes from.

Socrates demonstrated long ago, that the truly free individual is free only to the extent of his own self-mastery.

If we were born to overthrow the order of ignorance and injustice of the world, it’s our job to realize it and get down to business.

The professional dedicates himself to mastering technique not because he believes technique is a substitute for inspiration but because he wants to be in possession of the full arsenal of skills when inspiration does come. The professional is sly. He knows that by toiling beside the front door of technique, he leaves room for genius to enter by the back.

We need to ascend beyond our own petty Resistance, our own negative self-judgment and self-sabotage, our own "I'm not worthy" mind-set.

The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.

We come into this world with a specific, personal destiny. We have a job to do, a calling to enact, a self to become. We are who we are from the cradle, and we're stuck with it.

Don't prepare, do. Don't let Resistance sucker you into wasting months on background, foundation, planning. All that can come later.

Do you love your idea? Does it feel right on instinct? Are you willing to bleed for it?

The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.

Resistance is directly proportional to love. If you’re feeling massive Resistance, the good news is, it means there’s tremendous love there too. If you didn’t love the project that is terrifying you, you wouldn’t feel anything. The opposite of love isn’t hate; it’s indifference.

I had always been an enthusiastic reader of stuff about ancient Greece. I would read Herodotus and Thucydides just for fun.

The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.

A cavalryman's horse should be smarter than he is. But the horse must never be alowed to know this.

It is one thing to study war and another to live the warrior's life.

Figure out what scares you the most and do that first.

On the artist's journey we are redefining and reconfiguring ourselves and our lives.

Slay that dragon once, and he will never have power over you again.

Start before you’re ready.

Nothing fires the warrior’s heart more with courage than to find himself and his comrades at the point of annihilation, at the brink of being routed and overrun, and then to dredge not merely from one’s own bowels or guts but from one’s discipline and training the presence of mind not to panic, not to yield to the possession of despair, but instead to complete those homely acts of order which Dienekes had ever declared the supreme accomplishment of the warrior: to perform the commonplace under far-from-commonplace conditions.

When we are succeeding - that is, when we have begun to overcome our self-doubt and self-sabotage, when we are advancing in our craft and evolving to a higher level - that's when panic strikes. When we experience panic, it means that we're about to cross a threshold. We're poised on the doorstep of a higher plane.

As all born teachers, he was primarily a student.

Making a judgment, taking a stand and then acting against an injustice or acting to support excellence is the stuff of the everyman hero. If you are an aspiring artist and you wish to avoid “judgments,” you'll find that you have nothing to say.

Our enemy is not lack of preparation; it’s not the difficulty of the project or the state of the marketplace or the emptiness of our bank account. The enemy is our chattering brain, which, if we give it so much as a nanosecond, will start producing excuses, alibis, transparent self-justifications and a million reasons why we can’t/shouldn’t/won’t do what we know we need to do.

The last element in drama is high stakes. War, of course, is life and death - survival, not only for the story's characters, but often for the society itself. That's why I'm drawn to stories that are built around wars, even if they're not technically "war stories."

When we turn pro we stop running from our fears. We turn around and face them.

When we're living as amateurs, we're running away from our calling - meaning our work, our destiny, the obligation to become our truest and highest selves.

The hero wanders, the hero suffers, the hero returns. You are that hero.

As resistance works to keep us from becoming who we were born to be, equal and opposite powers are counterpoised against it. These are our allies and angels.

Don't wait for someone else to validate you. Validate yourself.

Resistance will tell you anything to keep you from doing your work.

The opposite of fear," Dienekes said, "is love.

Fear is good. Like self-doubt, fear is an indicator. Fear tells us what we have to do. Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it. Resistance is experienced as fear; the degree of fear equates to the strength of Resistance. Therefore the more fear we feel about a specific enterprise, the more certain we can be that that enterprise is important to us and to the growth of our soul. That's why we feel so much Resistance. If it meant nothing to us, there'd be no Resistance.

Fear doesn't go away. The battle must be fought anew every day.

The last thing we want is to remain as we are.

When we conquer our fears, we discover a boundless, bottomless, inexhaustible well of passion.

The artist cannot look to others to validate his efforts or his calling. If you don't believe me, ask Van Gogh, who produced masterpiece after masterpiece and never found a buyer in his whole life.

We’re all pros already. 1) We show up every day 2) We show up no matter what 3) We stay on the job all day 4) We are committed over the long haul 5) The stakes for us are high and real 6) We accept remuneration for our labor 7) We do not overidentify with our jobs 8 ) We master the technique of our jobs 9) We have a sense of humor about our jobs 10) We receive praise or blame in the real world

Never forget: This very moment, we can change our lives. There never was a moment, and never will be, when we are without the power to alter our destiny.

The critic hates most that which he would have done himself if he had had the guts.

There's a secret that real writers know that wannabe writers don't, and the secret is this: It's not the writing part that's hard. What's hard is sitting down to write. What keeps us from sitting down is Resistance.

The Gnostics believed that exile was the essential condition of man. Do you agree? I do. The artist and the addict both wrestle with this experience of exile. They share an acute, even excruciating sensitivity to the state of separation and isolation, and both actively seek a way to overcome it, to transcend it, or at least to make the pain go away. What is the pain of being human? It's the condition of being suspended between two worlds and being unable to fully enter into either.

Turning pro is a mindset. If we are struggling with fear, self-sabotage, procrastination, self-doubt, etc., the problem is, we’re thinking like amateurs. Amateurs don’t show up. Amateurs crap out. Amateurs let adversity defeat them. The pro thinks differently. He shows up, he does his work, he keeps on truckin’, no matter what.

When we make our art a practice, when we make our workspace sacred and enter it daily with respect and high intention, then we elevate our actions (even if they're taking place within the profane arena of commerce) beyond ego and above gimme-gimme ambition.

The only intercourse possible between the knight and the dragon is battle.

What finally convinced me to go ahead was simply that I was so unhappy not going ahead.

The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable. He has to take pride in being more miserable than any soldier or swabbie or jet jockey. Because this is war, baby. And war is hell.

The professional conducts his business in the real world. Adversity, injustice, bad hops and rotten calls, even good breaks and lucky bounces all comprise the ground over which the campaign must be waged. The field is level, the professional understands, only in heaven.