I would bring Patti [Smith ] in to the editing room [working on the Dream of Life] and say, "This is a great moment for a voiceover, or a poem," and then we'd bring in some sound design.

For me to see the film [Dream of Life] on a big screen - it's pretty extraordinary.

That was an amazing experience [making Dream of Life]. It's hard to imagine that we were editing every day for a year. And it was pretty extraordinary; it also went by super fast. But every day was an experiment.

I would bring Patti [Smith ] in to the editing room [working on the Dream of Life] and say, "This is a great moment for a voiceover, or a poem," and then we'd bring in some sound design.

I was making a film [Dream of Life] about Patti [Smith], but I was taking pictures, too.

Sometimes my fashion pictures can look a little bit like documentary style pictures. So having a camera in my hand was normal.

At the beginning I didn't even really think about making a movie [Dream of Life]. I was just thinking of documenting somebody.