There's definitely a way of thinking and a way of being in the South that has its advantages and disadvantages.

Everything is the director's fault - you can quote me on that. There are no excuses.

The key is, how do you feel with the one asshole? They cannot be talked to. That's why they are assholes.

I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.

I was thinking that people have to believe you're crazy in order to take you seriously as an artist. If you're wandering the streets, talking in gibberish, nobody ever asks you to change anything about your art because there's no context for people to look at what you do.

It's become absolutely horrible the way the people with the money decide they can fart in the kitchen.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.