In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.

You’re supposed to expand your mind to fit the art, you’re not supposed to chop the art down to fit your mind.

Everything had been done long before I started making movies. I mean, there's nothing that Godard hasn't already done. You can't do a single thing that Godard hasn't already thought of. And so you struggle to do something that is not predictable.

I like to make all kinds of movies. I'd do 'Ocean's Thirteen' with the right script.

It's a world in which people's motives are questionable and shadowy.

Usually I'm thinking about the palette. I'm thinking about the color for the most part, then I'll start thinking about composition and movement.

Making a film that's supposed to be fun to watch is really hard - that's the weird irony of it.