It's a world in which people's motives are questionable and shadowy.

Maybe I'll paint, do photography, just something else. I can see that.

There's nothing else exactly like it in any other art form, the orchestration of so many different elements. It's endlessly fascinating what can be done editorially. You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.

I like a lot of different kinds of movies, I like a lot of different kinds of paintings.

It takes one asshole to ruin the whole thing. That's it. One. The problem with the world is one asshole comes up with a really bad idea and now we're all taking our shoes off at the airport.

I suppose I could try to be some avant-garde artist if I wanted to, but that doesn't interest me as much.

Another thing that really excites me: I'd like to do multiple versions of the same film.