Some people don't understand that but it's nice when it really just gets to the point then that it [music] doesn't get played so much that you're overdoing a lot of things; that it's fresh ideas. And they come out fresh and if you're already in the mode, I guess, to simplify some things so that it comes across better on record, it's the right time to be tasteful with somethin'.

I mainly use Stratocasters. I like a lot of different kinds of guitars, but for what I do, it seems that a Stratocaster is the most versatile. I can pretty much get any sound out of it, and I use stock pickups.

Some people don't understand that but it's nice when it really just gets to the point then that it [music] doesn't get played so much that you're overdoing a lot of things; that it's fresh ideas. And they come out fresh and if you're already in the mode, I guess, to simplify some things so that it comes across better on record, it's the right time to be tasteful with somethin'.

To be honest with you, I'm not sure what a pop tune is. I'm sure if I hear it on the radio, I'd say that's pop or this or that. But, really, what I pay attention to the most is just music that moves me. It's all at least a root-type music instead of a formula.

Jazz changes and all. But I don't know the names of what it is I'm doing.

The whole deal is when you walk onstage, you're up there bigger than life. People idolize you.

I kept listening, kept going to see people, kept sitting in with people, kept listening to records. If I wanted to learn somebody's stuff, like with Clapton, when I wanted to learn how he was getting some of his sounds - which were real neat - I learned how to make the sounds with my mouth and then copied that with my guitar.