I'm not really interested in making someone endure a performance or stand there for too long. I like to think about the length.

I like actual songs and bands, but it's usually parts, like the production, the bassline, the drums, that I'm really attracted to.

Sometimes I start with music on and then I get distracted because I'm working to a different rhythm; I'm not working to myself. So, I don't have music on when I'm working.

Performances have a bit of a life and a time scale to themselves.

I've thought about bands or performers who appear from nowhere: You come out of the greenroom in this secure little unit, then you do this thing and you're shielded from everybody. I'm thinking of brilliant people, like Mariah Carey, who have no interaction. They interact with the audience at the time of the live thing but there's no build up and there's no afterward.

I'm not really interested in making someone endure a performance or stand there for too long. I like to think about the length.

Being on the same level as everybody is really important to me. I'm trying to do really basic stuff like communicate, convey, talk, see, and invite joining and intimacy. What I'm trying to do is attach. It's not about being separate.