Performances have a bit of a life and a time scale to themselves.

The way I perform or the setup is always same - just me and a microphone and the text - and they usually have some relation of how physical that stack becomes. When I'm editing it together, the density of the papers is an indicator to be like, "You need to stop."

I started using Notes [on my iPhone] but I do a lot of hand written notes. It's a very slow, accumulative thing.

I like actual songs and bands, but it's usually parts, like the production, the bassline, the drums, that I'm really attracted to.

I'm not really interested in making someone endure a performance or stand there for too long. I like to think about the length.

I probably protect myself by not asking myself too much.

When I go into the editing process, I re-look at the original intuitive thoughts and then it becomes the written performance or text work. Because they look quite big there's this assumption that there isn't much editing, but that's a huge part of it.