Sometimes I start with music on and then I get distracted because I'm working to a different rhythm; I'm not working to myself. So, I don't have music on when I'm working.

I started using Notes [on my iPhone] but I do a lot of hand written notes. It's a very slow, accumulative thing.

I've got a twin sister who's an artist and growing up I was always "the loud one." She's not actually quiet at all, but I would rather fill a gap with chatter and she would just let a gap be. So there was no inclination to actually perform.

For me, there's the certain focus points that come out, which could reference a song or a pop disco, or something really abstract. It's not totally fulfilling or complete, but rather an ongoing incompleteness. I'm really interested in the audience's relationship with myself, and my relationship with them.

I'm interested in really particular details, ideas, thoughts, and emotions, yet it's defused with performance, where you can play with hiding things, or be more confrontational about something shielded. There is this process of layering in performance.

I like actual songs and bands, but it's usually parts, like the production, the bassline, the drums, that I'm really attracted to.

Performances have a bit of a life and a time scale to themselves.