Public school felt like prison - cinderblock walls, fluorescent lights, metal lockers. It was so sterile and unstimulating.

I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.

There's such a magnitude of record taking. It's so exhaustive. Bandwidth and hard drive space are able to accommodate limitless capacities to take a record of anything and everything.

My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.

I have a lot of friends who have hula-hoops, it's like a mixture of dance and athletics and exercise, meditation. It's a healthy hobby I think. I can do a few tricks, I can hoop from my neck and shoulders, and I can do a few moves, a few tricks! I can walk through the hoop whilst it's spinning. I feel like there's definitely an interest in promoting the hula-hoop as an important pastime!

That's really where my heart is, unfortunately - I'm less interested in songwriting and more into just making noise.

All the time we spent in bed, counting miles before we said, fall in love and fall apart, things will end before they start.