Some of my music requires an obsessive-compulsive approach and a real embodiment of excessiveness. So I really have to live in that world of overstimulation. Sometimes I think it's like a drug; more is more, and you can never get enough. The older I get, the more I crave that excessive aesthetic. It's never going to satisfy me.

All the time we spent in bed, counting miles before we said, fall in love and fall apart, things will end before they start.

I was feeling privileged and self-conscious about my life as a musician, which feels self-absorbed. I can't help it, I am a musician. This is what I do.

I felt that there's an obligation when writing a piece about an urban expressway made in the 50s to acknowledge the context, and Robert Moses is sort of an iconic figure in New York, and he influenced the shape of the city more than anyone else before or after him. He was one of the most powerful and influential civic architects in the world, because of how much he transformed the city. He built multiple bridges and highways and parks and recreational spaces, beaches - in the course of a few decades, he completely changed the city

My music is just about story telling. I don't have much to say, and I'm not trying to change anyone's mind. I'm just singing through conviction about what I love and what I care about, starting with the very small.

I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.

There's such a magnitude of record taking. It's so exhaustive. Bandwidth and hard drive space are able to accommodate limitless capacities to take a record of anything and everything.