When you start to develop your powers of empathy and imagination, the whole world opens up to you.

This Catholic thing, I think what it does is it makes a place for mystery in a person. And even when the faith goes away, there's that space where you crave something bigger than yourself. For me, that's kind of where art came in, after that.

It is important to have a woman editor. Movie is an industry where it is predominantly women. Male editors might cut out pauses that are interesting, while a woman might not be afraid of that pause. Trying to do a movie with an editor who is not funny is impossible. There are certain talents that go with certain genders.

That's the thing about independently minded children. You bring them up teaching them to question authority, and you forget that the very first authority they question is you.

To know that once you decide to look at life outside of the narrow limits of just your world and start to understand that you can make a difference in very simple ways - in volunteering and all the way up to bigger world problems.

With the most interesting directors, the cast comes together to make something magical that nobody counted on.

I married him [Chris Sarandon] my senior year, and after I graduated, he went to the Long Wharf Theatre in New Haven, and I tagged along and was doing some local modeling and commercials and things like that. A woman named Jane Oliver, who handled Sylvester Stallone, saw Chris at the theater and asked him to come in and audition. We went in and auditioned - he needed someone to read with him. I read with him, and she said, "Well, why don't both of you come back in the fall."