This Catholic thing, I think what it does is it makes a place for mystery in a person. And even when the faith goes away, there's that space where you crave something bigger than yourself. For me, that's kind of where art came in, after that.

I'm happy to be considered desirable. I love it!

When I got the script for Thelma & Louise, when I met with the director, Ridley Scott, I said, "I don't want to do a revenge film. I'm not interested in doing that moment in the script after they shoot the truck, where it says they jump up and down and they're real happy about it".

We need a witness to our lives. There's a billion people on the planet... I mean, what does any one life really mean? But in a marriage, you're promising to care about everything. The good things, the bad things, the terrible things, the mundane things... all of it, all of the time, every day. You're saying 'Your life will not go unnoticed because I will notice it. Your life will not go un-witnessed because I will be your witness'.

I married him [Chris Sarandon] my senior year, and after I graduated, he went to the Long Wharf Theatre in New Haven, and I tagged along and was doing some local modeling and commercials and things like that. A woman named Jane Oliver, who handled Sylvester Stallone, saw Chris at the theater and asked him to come in and audition. We went in and auditioned - he needed someone to read with him. I read with him, and she said, "Well, why don't both of you come back in the fall."

It will be great when it's not such a big deal when a woman gets a good job.

I don't like to plan. Very often, for me, acting is like loving; it's using the muscle that you use in loving, in that your heart feels open. Physically, you feel open. And so therefore your job is to enter, open, and listen. And see what happens.