Interpretation is the revenge of the intellectual upon art.

We live in a world of copies and we're fascinated when we encounter the originals (in a museum, for instance).

10 percent of any population is cruel, no matter what, and 10 percent is merciful, no matter what, and the remaining 80 percent can be moved in either direction.

To us, the difference between the #‎ photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #‎ photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.

Instead of just recording reality, photographs have become the norm for the way things appear to us, thereby changing the very idea of reality and of realism.

Any disease that is treated as a mystery and acutely enough feared will be felt to be morally, if not literally, contagious.

Photographers are always imposing