The whole point of Camp is to dethrone the serious. Camp is playful, anti-serious. More precisely, Camp involves a new, more complex relation to "the serious." One can be serious about the frivolous, frivolous about the serious.

whatever doesn't kill you leaves scars.

When Cartier-Bresson goes to China, he shows that there are people in China, and that they are Chinese.

I must remain always, both in principle + actively, interested in everything. Taking all of knowledge as my province.

... one of art photography's most vigorous enterprises--[is] concentrating on victims, on the unfortunate--but without the compassionate purpose that such a project is expected to serve.

My idea of a writer: someone interested in everything.

AIDS obliges people to think of sex as having, possibly, the direst consequences: suicide. Or murder.