Dissimulation, secretiveness, appear a necessity to the melancholic. He has complex, often veiled relations with others. These feelings of superiority, of inadequacy, of baffled feeling, of not being able to get what one wants, or even name it properly (or consistently) to oneself — these can be, it is felt they ought to be, masked by friendliness, or the most scrupulous manipulation.

A man never forgets his body the way a woman does, because a man is pushing his body, a part of his body, forward, to make the act of love happen. He brings the jut of his body into the act of love, then takes it back, when it has had its way.

Cinema is a kind of pan-art. It can use, incorporate, engulf virtually any other art: the novel, poetry, theater, painting, sculpture, dance, music, architecture. Unlike opera, which is a (virtually) frozen art form, the cinema is and has been a fruitfully conservative medium of ideas and styles of emotions.

Along with people who pretty themselves for the camera, the unattractive and the disaffected have been assigned their beauty.

Experiences aren't pornographic; only images and representations - structures of the imagination - are.

Although photography generates works that can be called art-it requires subjectivity, it can lie, it gives aesthetic pleasure-photography is not, to begin with, an art form at all. Like language, it is a medium in which works of art (among other things) are made.

Surrealism is a bourgeois disaffection; that its militants thought it universal is only one of the signs that it is typically bourgeois.