I always say that you can't be afraid to ask the question. What's the worst that could happen? The answer could be "no" and you go on.

I know a lot of choreographers prefer to do abstract dance and not be bothered with a story, but even when I'm asked to do classical ballet or a modern piece, I still want to tell a story.

It is a miracle a musical gets up because of all the different departments and how much it costs. It is a miracle.

I tell stories through dance, and I think that's why I'm so attracted to the theatre because even the choreography in theatre moves the plot forward at all times.

It is true that I visualize music and, as I visualize music, I have some sort of story running in my head, all the time.

You don't do any show to be celebrated. In fact, you don't do any show thinking what's going to happen in the end. You immerse yourself in a room full of talent and a room full of designers and you hope for the best.

I think, though, the biggest heroes in my life would have been both my mother and father. My father because he was very brave and a kid from the Depression. And my mother, a child from the Depression too, who always remained so lovely her whole life.