The first time I went over to [my director's] house, he said to me, This is a very strange play. I was pleased that he reminded me of that. [He] understands the play [VENUS] intellectually and emotionally and the humor, the funny bone.

The writing of Topdog was a great gift. I feel the play came to me because I realized that my circumstances, while causing me despair and heartbreak, also held great possibility, if only I could see it.

Each moment is perfect and heaven-sent, in that each moment holds the seeds for growth.

I love beautiful black-and-white movies - anything Bette Davis, especially Now, Voyager, Casablanca, Mildred Pierce; anything by Orson Welles, Truffaut, or Godard; and Paper Moon by Peter Bogdanovich.

The first time I went over to [my director's] house, he said to me, This is a very strange play. I was pleased that he reminded me of that. [He] understands the play [VENUS] intellectually and emotionally and the humor, the funny bone.

My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, theres a poetic truth to that. We are this vast people.

I realized that my circumstances, while causing me despair and heartbreak, also held great possibility, if only I could see it. I knew that I was learning one of the most important lessons of my life: that instead of waiting for the perfect opportunity, I should work toward a realization that every opportunity is perfect. Each moment is perfect and heaven-sent, in that each moment holds the seeds for growth. Difficulty creates the opportunity for self-reflection and compassion.