Every film I've made has a kind of frustrated love story in the center of it. They were people who saw life from opposing points of view, which has been in every film I've ever done. It had all the ingredients of the kinds of films I like to do.

You know, essentially when you do a play you're reinterpreting a work of art that already exists. That's not what happens with a movie.

Reading a novel of a private experience, very, very different, the nature of it is very different.

Most human beings who are accustomed to attempting to see the world from various points of view tend to be more liberal than conservative. I have one life. I am a certain age. I'm married to one person. I have a certain number of children. I won't have another life other than that, but I do have many lives through the films. It's a way for me to understand what it's like to be a murderer, to confess, to be a beaten wife, to be a minority, to be a victor, to get the girl, to lose the girl. I can do all of that through the practice of an art form.

All films are political, whether they mean to be or not. Star Wars is political. As soon as you have conflict, which is the key to most films, you have politics. It's just that some are more artful with the handling of politics than others.

Well, the wonderful thing about making movies, oddly enough, is that they're sort of highly motivated graduate studies in one or another field.

I think it's a terrible shame that politics has become show business.