I remember being in Dublin in a café and seeing him [Jack Gleeson] two or three years ago, and he came in - Joffrey[from the Game of Thrones] came in - and I remember being so star-struck. I don't like famous people and I don't really get star-struck. But I remember seeing him and being so impressed that he was walking around. So I really like Joffrey.

When you're actually making a film, it's just people on your back all the time wanting stuff and you're constantly having to it deal with them. It's probably the most time consuming of all the arts, but I do love it because it is a great mix of visual art and music and writing.

I want to do weird things and big budget things and no budget things. I don't have a five-year plan.

The films I like to watch are when they make it relatable to human audiences.

I've always been a relaxed person on set, but I think the main thing is I think about it from an editing point of view way more than I did before.

I might revisit - I like the idea of doing something else with [Hunt for the Wilderpeople characters]. But also I get bored of doing the same thing again. I just get bored.

The Jemaine [Clement] and Taika works is a very long and slow machine - we put an idea in one end, and it takes about six years to come out the other end. And sometimes it doesn't even come out. And sometimes it comes out as a different idea. So we've out the idea of We're Wolves into the machine, and it's now slowly going through the sausage maker.