I distinctly remember watching Annie when I was very little and thinking 'I don't like this kid.' In fact I think I remember thinking 'I don't like any of these kids.' That's all I remember.

There are lots of parts of filmmaking that I don't like. At the end of the day, especially on features, the film turns into a commodity. You have to play this entirely new game I'm very uncomfortable with.

Music - it's motivational and just makes you relax.

With a feature film you're dealing with so much more money and you've got to be very aware of the fact that you're really working with an audience. You've got to have a relationship with the audience. Play with them and show them things you want them to see.

I never wanted to be a filmmaker. I still, sometimes, think I got sidetracked by this, like this is a tangent. My main thing was painting; I was just going to do that.

A feature film is an expansion of budget, stress, story, hours, time, workload, everything.

In a couple of years I think it [sequel to What We Do] will come out as a script and we'll shoot that. Or maybe it will just come out as some t-shirts.