I have to keep reminding myself that I was hired for a reason and one of those reasons is because of the stories I tell and the films I've made previously.

Sundance felt like a natural fit. I love coming here, and I do think that this festival suits my films rather than most of the festivals I've been to. I'm not going to Cannes, you know.

I want to do weird things and big budget things and no budget things. I don't have a five-year plan.

I have to keep reminding myself that I was hired for a reason and one of those reasons is because of the stories I tell and the films I've made previously.

I'm used to working with restrictions and that's when you come up with the more creative stuff.

The Jemaine [Clement] and Taika works is a very long and slow machine - we put an idea in one end, and it takes about six years to come out the other end. And sometimes it doesn't even come out. And sometimes it comes out as a different idea. So we've out the idea of We're Wolves into the machine, and it's now slowly going through the sausage maker.

The films I like to watch are when they make it relatable to human audiences.