I don't care if Rick Ross is 40 years old -- he's a misguided 40-year-old person.

With Prisoner of Conscience, the focus was - I've worked with Madlib, High Tech, Kanye West, J Dilla. I feel like I've worked with some of the greatest of all time. That's been overlooked. That's been overshadowed by the weight of the lyrics.

Let me finish my music, and let me present it the way I want to present it. And then share it, put it online, do whatever you want to do after that.

I support the idea that artists have to make a stand. I'm with that - you're putting the discussion on the table and you're letting people know. You're being brave as an artist and responsible to the community.

My fondest memories were watching the Beastie Boys get prepped to come on stage. They had a lot of antics and they play a lot of basketball... then they were giving out cameras to the crowd, and performing from the bleachers. The most important thing I learned was that you control your crowd, not the other way around.

So I think hip-hop is moving and is going to continue to move in the direction of rappers just being honest with themselves, whether you're talking about Common and Mos Def or Nas and 50 cent.

If I focus on being an activist and my job is to be a rapper, I'm not going to be as good of a rapper. I need to focus on hip-hop and focus on making the music, so that when the activists come to me and they need my voice to create a platform, then I've got enough people listening to me. Not because I'm conscious, but because I'm dope.