Well if somebody's giving me a script, I'll consider it. But it's not something I'm chasing.

Hip hop has always been, for us, for artists who are pure to the craft - any place overseas, whether it's Australia, any place in Asia, Germany, Africa, it becomes something where you can still go and work. Hip hop is an import culture. We're spoiled by it here. It's homegrown.

I feel like people mislead themselves when they tell themselves they're into me because of the lyrics. From my vantage point, people aren't into me because of the content, because of the lyrics. Because there's a million of rappers who have great content.

I was always rhyming and doing it for the love before I found out I was gonna have children and when I found out, doing it for the love wasn't enough.

I just got a new manager. He's like, "So what do you want to do with the deejay thing?" I'm like, "The deejay thing for me is more my hobby." It's great when you can supplement your income, when you have a weekly or something, it's fun. It's really a hobby, because I don't want it to take away from what I do, which is emceeing.

The way I see it, if people truly love my music, they will support me in some way down the road.

Once you're signed to a label you compromise.