I don't feel comfortable making empty music.

So I just had to step up how I was doing it and the moment that I stepped up and the moment I focused all my energy on that is when things started to happen. So there's a direct relationship between my inspiration and my output.

There are staples to my show. I have to be conscious about switching things up because I know people who saw me last year will say, 'He did that last time.' But if certain things work, they work.

Unfortunately hip-hop is so competitive that in order for fringe groups to get in, you gotta be better than whoever's the best. So before Eminem, the idea that there would be a white rapper that anybody would really check for was fantastic or amazing or impossible.

They ask me what I'm writing for - I'm writing to show you what we're fighting for.

I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.

A flower that grow in the ghetto know more about survival than the one from fresh meadows.