Even an independent label is looking for a hit, they're not looking for a record that's not gonna do well.

My fondest memories were watching the Beastie Boys get prepped to come on stage. They had a lot of antics and they play a lot of basketball... then they were giving out cameras to the crowd, and performing from the bleachers. The most important thing I learned was that you control your crowd, not the other way around.

No one likes to be treated like people in minority communities. What it's saying is that because you're poor, because you live in a neighborhood that deals with oppressed conditions, you deserve to be treated like a criminal. In our Constitution it says you have the right to live without illegal search and seizure.

I see that happening with hip hop purists now. Where you have an artist like a Kendrick [Lamar] or a Drake, who are really trying different things emotionally, different things musically, and on a mainstream level. And you have underground hip hop fans dissing it, for the simple fact that it's mainstream - not because what they're doing is whack, or what they're doing is not sincere.

We send young white boys to the Army. We're sending young black boys to the prisons.

With Prisoner of Conscience, the focus was - I've worked with Madlib, High Tech, Kanye West, J Dilla. I feel like I've worked with some of the greatest of all time. That's been overlooked. That's been overshadowed by the weight of the lyrics.

I look at the deejay thing as something - I'm good at it because I have my own music. I have enough rhythm to blend at this point.