I gotta be dope first. I gotta be appealing to your senses, and to what you like first. Then the message happens. Then you relate to the message.

Jazz is the greatest American art form and our greatest export. We don't pay attention to the youth of jazz, don't stoke the fires creatively for the youth coming up. I feel like jazz musicians became too much of purists - with Donald Byrd doing funk jazz in the '70s.

I feel like your city - with hip hop in particular, because we're always beating our chest and shouting where we're from - your city is just as influential as your parents. Even the grimy, hardcore gangster rap from New York - KRS-One and Wu Tang, the stuff acknowledges it.

My musical influence is really from my father. He was a DJ in college. My parents met at New York University. So he listened to, you know, Motown, and he listened to Bob Dylan. He listened to Grateful Dead and Rolling Stones, but he also listened to reggae music. And he collected vinyl.

My kids are the most inspiring thing that pushes me. It used to be because they were born, and I had to take care of them. Now it's because my son raps, and he's better than me. So now I gotta keep up with him, you know what I'm saying?

We're in an illusion about what our role is in world politics and foreign affairs, and our policies are killing and destroying and doing a lot of things that we are not aware of.

So I think hip-hop is moving and is going to continue to move in the direction of rappers just being honest with themselves, whether you're talking about Common and Mos Def or Nas and 50 cent.