My job is to file things! I'm not going to be like, "Mr. Jacobsen from Oakland, California" - just listing his problems, like a rap.

I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.

There's nothing more fun than feeling frequencies and learning about equipment - everybody should do that. But if you're going to put your heart into an album and you want to give it to the world and add to the conversation, I think it's really important to take your time.

In the beginning I had a lot of self-imposed limitations as far as production and instrumentation. It was really inspiring for us at the time, because those limitations allowed us to push ourselves as songwriters and gave us a strong sound that people could recognize as ours, like wearing a leather jacket every day. A uniform. They know it's you - and that's great - but my original intention wasn't to be a shoegaze band or to be derivative of one sound.

I didn't want to make a record that's just drones or completely experimental. A lot of the time bands that make this psychedelic style of music are just a bunch of dudes hanging out together and jamming.

I saw a lot of drugs and strange things when I was younger, but I also think it was a positive experience because I was surrounded by these really interesting, beautiful people that were trying to get their lives back on track.

I lived with my godmother and mother in New Zealand until I was seven. They were both Jungian psychologists and had a homeless shelter for street gang members in New Zealand.