I'm very much into collaboration. I think that collaboration is the road to making something great. I respect artists that are more autocrats and are in control of their own projects, but it's not really my style. I've always had that partnership.

I think every artist that you like, or even artists that have defined their own times, they're definitely looking to the past as a starting place. It's just about how you infuse your own personality, your own message, and your own ideas into it. The record is supposed to be really sensual and sexy.

I think that from the beginning of me making music, I always had it in my mind to combine things that I like to listen to in a way that I had never heard before.

My job is to file things! I'm not going to be like, "Mr. Jacobsen from Oakland, California" - just listing his problems, like a rap.

I lived with my godmother and mother in New Zealand until I was seven. They were both Jungian psychologists and had a homeless shelter for street gang members in New Zealand.

I saw a lot of drugs and strange things when I was younger, but I also think it was a positive experience because I was surrounded by these really interesting, beautiful people that were trying to get their lives back on track.

In the beginning I had a lot of self-imposed limitations as far as production and instrumentation. It was really inspiring for us at the time, because those limitations allowed us to push ourselves as songwriters and gave us a strong sound that people could recognize as ours, like wearing a leather jacket every day. A uniform. They know it's you - and that's great - but my original intention wasn't to be a shoegaze band or to be derivative of one sound.