The visual side of being a performer or in a band is, to me, as important as the music. I know not everyone shares that same opinion, but when I'm writing songs or working on lyrics or coming up with an idea, I think about videos as I'm in the studio. If I had all the money in the world, I would have the most amazing videos ever, you know? You're saying grandiose, and big; if the song warrants it, I try to push the visuals as far as I can.

I think that from the beginning of me making music, I always had it in my mind to combine things that I like to listen to in a way that I had never heard before.

There's nothing more fun than feeling frequencies and learning about equipment - everybody should do that. But if you're going to put your heart into an album and you want to give it to the world and add to the conversation, I think it's really important to take your time.

I love people like Kate Bush and Stevie Nicks and David Bowie - people that project themselves as characters and that contextualizes the music.

I didn't want to make a record that's just drones or completely experimental. A lot of the time bands that make this psychedelic style of music are just a bunch of dudes hanging out together and jamming.

It's really cool what you can do with a guitar and a Fender Twin and a space echo.

If you have a lot of textural stuff happening in music you get called shoegaze, or whatever, and then it becomes about the sound and not about the songs.