I happen to be one of those lucky people who says that she's a working actor. And to always be working is very fulfilling and I'm just lucky because the opportunities just came up. And as an Asian American female actor, the opportunities have been furthering, have been widening all across the years. And I can say that there are many young people who see that the opportunities are expanding, as well as you can make it yourself.

I know that I present very - they say that I present very, very calm and very, very smart, very articulate, elegant. Yeah. And I go, 'Brilliant teams of makeup and wardrobe happened to dress me and clothe me and put my face on and do my hair. And then these brilliant teams of writers give me words to speak. I just need to make sure that I have them all in this combination in my body, in my being, and then I get to do it on camera, in front of a brilliant team of camera workers who really know how to like me and make me sound good.' So I'm just really a dork in real life.

I usually try to connect with young filmmakers over the phone so I can hear them and just pick their brain as to why they want to tell the story. And usually, I'm on board. I go, "Yeah, I'd love to help. And I just need to know why you want to do this,' and it's usually an easy process because a filmmaker usually reveals his or her heart in telling the story. And that's why I'm pretty much of a softy when it comes to helping along the young ones along the way.

I've never been funny. I don't think I'm funny. People say I'm funny. I go, 'No. No. I'm not.' But again, knowing what it means to film on a TV show and on film, you have to repeat, repeat, repeat. You have to do the same thing a number of times if you're filming a sequence. And to carry that energy in a comedic mode, would be a challenge that I really would frightfully scared, but I'd have to buck up and pull up my bootstraps and say, 'I can do this. Let's figure it out.'

I love independent films because I love to help, I love to assist, I love to pass along knowledge or experience to young filmmakers because usually, that's what they are. They're young filmmakers who are trying to either just simply tell their stories or trying to break into show business, and this is their calling card. But either way, I just really respect young filmmakers who are trying to tell a story that means something to them.

Don't make the body fit into the clothes. It really is, it's really respecting an individual and trying to cater to that individual's needs. And I guess that's what really is important for each one of us, dealing with each other in society, is look at the person in front of you, look at the individual in front of you and treat that person as a unique individual being. And I think we get along better, not just fashion-wise, but in terms of just dealing with people day-to-day.

It's a shameful piece of history and I think - I don't mean to be political or sobering or anything - but I think America, the United States, we still have to deal with the issue of our original sin, which was slavery. And I think we're seeing the ramifications, the consequences, of not really facing the truth as to what we as a nation struggled towards. You know, struggled with and are still struggling and rectifying.